There were quite a few prevalent themes - polka dots, Navajo, menswear-inspired suiting - but my absolute favorite was Mermaids, something I originally picked up from an ornate, enamel and jewel ring in W last autumn that drew memories of Polly Pocket and all her lurid, flourescent goodness. It drew memories of this Harper's Bazaar spread I ripped out about 5 years ago - cotton-candy colored pink and blue streaks in some dirty blond, wind-tousled locks.... everything you'd wat from natural hair.Harper's Bazaar, circa maybe 2007?
It was fantastic, and I've been obsessed ever since. LUCKILY, the style set seems to have followed my brain wave - there were quite a few Ariel-worthy pieces floating around.On the runways, Marc Jacobs reigned supreme. His sequined skirts and metallic sweaters were almost unapproachable: the urban bitch of the mermaid set, the girls who could wrap you around a finger (tail?) with a power suit that was as sexy as it was innovative.
Prada followed in the same vein with skirts and dresses that fell in waterfalls of metallic-hued scales that draw to mind aquatic Amazonian royalty.
Expanding on the aestheically elaborate, glittery sequins and metallics were just as big. Diane on Furstenberg stole my heart - her collection was among my top % of the entire fall collective- and although most of her designs centered around 70s disco-westerns, she unleashed these two fabulous gowns at the end that simply made me drool for an underwater Studio 54.Diana Von Furstenberg
Along the same vein, D&G had sequins and lurex and metallics.. everything a self-respecting expositionist would want. The stars harkened fond memories of my favorite Barbie, who had a light-sensitive dress that sparked stars in direct exposure.Personally, I cannot wait to incorporate some serious glitz into my wardrobe. And, to be honest, I''ve been considering some flossy magenta lowlights. Drastic? I don't know what that word means...
all photos: Style.com
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